It's Wordy Wednesday...
...time for some reflections from the editor's desk.
Pardon me if I seem to be in a “pet peeves”
mode today. You know how sometimes you notice one little detail, and suddenly
you see it everywhere? Well, lately I’ve noticed an overuse of two clichés, the
literary equivalent of ear-worms, so I’m on a de-worming campaign.
A cliché starts as an original expression,
but devolves through misuse and overuse into meaningless verbiage. One I can’t
get out of my head is “turn on one’s heel.” The original use appears to have
been an attempt to show how a character can spin around, usually in anger or
disgust. My problem with the phrase is not only overuse, although that’s bad
enough. What gets to me is that the action described is nearly impossible to
do. The angles of our knees and ankles and the balance of our muscles are all
wrong for this motion. Seriously, have you ever tried turning on your heel? I
dare you to do it without landing on your derriere. Go ahead, try it. I’ll
wait… See? If you want to change direction quickly and emphatically, you pivot
on your toes. The only person I’ve
ever seen turn on his heel was an actor, playing an alien disguised as a human.
The effect was truly eerie and, well, alien.
The other worm in my ear could be
considered less obnoxious because it takes many forms:
I forced
my way through the crowd.
He
picked his way over the stones.
She
edited her way through a manuscript.
They
ate their way through the meal.
We
swam our way across the river.
All these sentences indicate movement
against resistance, which isn’t so bad. But he
pushed his way through the open door? Yes, I’ve run into that one. Where’s
the resistance he’s pushing against? My objection to this cliché is its
frequency and its lack of detail. How about:
I wriggled between the dancers.
He
tested each stone before he trusted his weight to it.
She wielded
her red pen like a machete over a jungle of turgid prose.
They
gorged on a smorgasbord.
The
river nearly carried us off, but we floundered to the other bank.
He
took one bold step into the room.
Yes, these sentences are longer, but much
more vivid.
Clichés serve a purpose. They are a kind of
shorthand we use without thinking, in the faith that our readers will know what
we mean. Indeed, if you never use a cliché your writing may feel foreign or
unnatural. However, we can do better. We can use stronger verbs, more precise
nouns and more descriptive adjectives to create a sharper picture in our
readers’ minds. Examine your use of clichés. If they are not the best way to
get your ideas across, turn on your heel and work your way through to better
writing.
Better yet, ditch the cliché and get creative.
Nikki Andrews is an editor at CBG and a
published author. She also does freelance editing. Visit her blog at www.scrivenersriver.blogspot.com.
