So You Have a First Draft, Now What?
This fantastic list of edits all writers should consider before sending their work off to an agent or publisher.
Once you have a great plot, story line, multidimensional characters, danger, a fast pace, a killer beginning, a middle that doesn’t sag and a striking ending, it’s time to tackle the 5 Reread Program—in which you reread your manuscript five separate times. Sure, it’ll be a lot of work, but “It’ll make an incredible difference when your manuscript gets to the agent or editor.”
Here’s a breakdown of what each read entails. [Regardless of whether you do all five or not, we think these are excellent essentials to be aware of in any manuscript, at any level.]
Read #1: The Content
–Do a “word-count reality check.” Make sure your work falls into its appropriate and requested genre range.
–Get rid of the deadweight. You can probably take 20 percent out of your first manuscript and have it be a better end product. You may cut entire chapters, or just single words. Some common areas to slice: places where you’ve overused research. Areas where your prose is getting preachy. Areas where you dumped backstory, versus sprinkling it in.
–Check your timeline. Make sure everything logically flows.
–Study your point-of-view changes. Ensure that you don’t have too many going on throughout the book.
–Double check your work for technical accuracy—particularly with things like weapons. People in the know will call you out if you get it wrong.
–Check your ‘choreography’. Someone who was shot a moment ago shouldn’t now be behaving as if they weren’t.
Read #2: The Enhancement
–Utilize the power of the senses. Try for at least two in every scene. Visual. Auditory. Smell. Touch. Taste. Sprinkle them in. Enhance as much as you can.
Read #3: The Sentence Level
This read tends to be the toughest—and also tends to be the one that differentiates a real writer. Every single sentence counts.
–Nix or fix ‘the awkward sentence’—those that read wrong for a variety of reasons, including lack of parallel structure, misplaced modifiers, etc.
–Avoid long paragraphs. Thriller readers prefer short bursts versus long graphs. Short = action. People want to see white space.
–Fix point of view slips. That’s incredibly important. An editor or agent will pick that up right away.
–Check for adequate transitions between paragraphs and sentences.
–Avoid names that sound or are spelled too similarly. Some authors will even avoid names that start with the same consonants.
–Generally, avoid using too many adjectives. And, of course, avoid adverbs. As a rule of thumb you should question every adverb.
–Check your metaphors and similes for originality and freshness. If it’s trite, it really works against you.
Read #4: The Little Things
—Maintain a list of your formatting of certain items so that you can keep them consistent throughout your manuscript. E.g., numbers – are you going to write them out or use a numerical reference? Are you going to capitalize a trademarked brand, or use a generic lowercase?
–Make sure your comma usage is consistent. E.g., are you using Oxford commas?
–Check for words you may have unintentionally overused. E.g., Suddenly.
–Check your attribution tags. Don’t doubt the power of ‘said’, the universal tag. ‘Ask’ is OK, too. A lot of people drive themselves crazy trying to think of unique [tags]. You don’t have to.
–Maintain a list of all the proper nouns (people, places, etc.) in your manuscript. Make sure everything is used consistently.
–Fact check. Yes—even in fiction. It’s still very important, especially if you have people, places and times that are in the public domain.
–Paginate your manuscript. Also, it’s always a good idea to include a header or footer with the name of the manuscript and your name.
–Homophones and spelling. Can’t stress enough that certain words may be spelled correctly but are used in the wrong context. Spell checker does not apply in this case. Know the proper spelling for the definition of the words you are using.
Read #5: The Audible Read
Read it out loud—if possible, with an audience. You’ll likely notice disconnects you wouldn’t have by simply reviewing it on screen.
–Watch for repetition. Measure pace.
–Watch for balance and clarity of POV characters. Is it obvious who’s speaking?
About Kat Hall
Executive Assistant and Review Coordinator
Reading has been a passion of mine since I was a young child. Stories transported me to other countries, taught me how people in other parts of the world lived—what they ate, how they dressed, what their flora and fauna was and how it impacted their lives, their culture and how it all differed from mine. Above all, spelling and use of words, punctuation, etc. had to be correct.
I’m medically and legally trained and have worked at various positions, not just in those fields either. Court documents needed to be perfect, and that drive for perfection carries over into my reading of books and manuscripts. Spelling a word correctly, but used in the wrong context creates major havoc.
I started with Champagne Book Group December 2004. I was the first slush pile reader and have been Executive Assistant to the Publisher, Author Liaison and Review Coordinator for many years.
I still read many manuscripts. PitMad has been an excellent venue for finding manuscripts and great authors. As I read, I’m always on the lookout for a gem that stands out, over and above the other stories. The ‘one’ that rocks your mind and senses and won’t let go. Finding great stories and gems makes me happy to bring these stories to light. I want readers to live and feel these stories. I strive to find new authors that titillate the senses with their writing.
I read almost everything. However, zombie apocalypse is not for me. I found I could not read this genre after trying to review a manuscript on this subject. I love romantic suspense/thriller the most. If the book is well written in other genres and has a great story, I don’t mind and enjoy being transported to another world and learning about people, places and things.
Saturday, March 11, 2017
So You Have a First Draft, Now What?